Fashion’s Obsession with Upper-Class Wardrobes: Why You Shouldn’t Be Fooled
The British aristocracy has a peculiar way of holding titles without any real connection to the areas they represent. Take the duke of Devonshire, for example, who doesn’t actually reside in Devon. Instead, the Devonshires own properties like Bolton Abbey in North Yorkshire, and Chiswick House and Burlington House in London. Their most prized possession is Chatsworth, a stunning Grade I-listed mansion in Derbyshire, often hailed as one of Britain’s most beloved stately homes. For the wealthy, land is just another asset to be bought, sold, inherited, and passed down through generations, much like a precious handbag or antique coat.
This summer, Chatsworth is hosting an exhibition called Erdem: Imaginary Conversations, which explores the influence of the late Deborah Cavendish on the designer’s latest collection. Known for her quirky style, the exhibition features deconstructed ballgowns and embellished insects, with the opening look being a tweed skirt-suit inspired by the Duchess’s love for countryside birds. Erdem describes it as looking “ravaged by chickens.”
The fashion world’s fascination with the aristocracy is evident in the way designers and photographers romanticize their opulent lifestyles and sprawling estates. From high-fashion shoots in grand homes to royal-inspired collections, there is a certain allure to the combination of luxury and decay that the upper class represents. However, this obsession with inherited titles, wealth, and grandeur serves as a subtle form of propaganda, perpetuating admiration for those who simply lucked out in the feudal hierarchy.
While the exhibition at Chatsworth celebrates Debo’s legacy and entrepreneurial spirit, it also sheds light on the enduring appeal of aristocratic imagery in fashion. Designers often draw inspiration from the imagined national character, blending historical references with modern aesthetics to create their vision of sophistication and elegance. Unfortunately, the industry’s focus on upper-class glamour often overlooks the contributions of working-class designers who bring a different perspective to the table.
Despite the changing landscape of the fashion industry, the aristocracy continues to hold a significant influence, with prominent names in both modeling and design coming from noble backgrounds. The Mitford sisters, in particular, have left a lasting impact on the industry, spawning a new generation of fashion icons and tastemakers. Their connections and wealth provide them with unique opportunities that are often out of reach for those from less privileged backgrounds.
While the allure of the aristocracy may be enticing, it’s essential to remember that their wealth and status are often built on a foundation of inequality and exploitation. The extravagant lifestyles and grand estates may seem charming from a distance, but they are a stark reminder of the deep-rooted disparities that exist in society. As we admire the beauty and elegance of the upper class, we must also question the systems of power and privilege that uphold their lofty positions.
In a world where appearances often overshadow reality, it’s important to look beyond the glamour and dig deeper into the narratives that shape our perceptions of wealth and status. The aristocracy may offer a tantalizing glimpse into a bygone era of elegance and refinement, but we must not forget the darker truths that lie beneath the surface. As we navigate the ever-changing landscape of fashion and society, let us strive for a more inclusive and equitable future where talent and creativity are celebrated regardless of background or pedigree.